Paintings of roomsremembered, neverquite seen.
Interiors half-dissolved by light, painted slowly in oil and pigment. Originals and commissions, made in Lagos and Lisbon.
Painting the spaces between memory and emotion — in oil, pigment and quiet light.
Each canvas begins as a fragment — a half-remembered room, a gesture, the weight of afternoon. I work slowly, in layers, until the surface holds something that cannot quite be named.
Selected works
2023 — 2026 · Oil & mixed mediaAfternoon That Would Not End
2025 · Oil and cold wax on linen · 48 × 60 in · 122 × 152 cm
Threshold I
2025 · Oil on cold-pressed linen · 36 × 48 in · 91 × 122 cm
Her Mother’s Blue
2024 · Oil and pigment on panel · 30 × 30 in · 76 × 76 cm
Lisbon Window, Late May
2025 · Oil on linen · 24 × 30 in · 61 × 76 cm
Dry Season Field
2024 · Oil and sand on canvas · 40 × 54 in · 102 × 137 cm
Studio / artist at easelA slow
conversation
with the surface
Mornings are for mixing — earth pigments, lead white, a little cold wax. The painting is turned to the wall for weeks at a time, then returned to. Nothing leaves the studio until it feels inevitable.
- Years painting
- 14Years painting
- Exhibitions
- 21Exhibitions
- Countries collected
- 9Countries collected
“It arrived crated like a piece of furniture and hung like a window. Six months on, the room still organises itself around it.”
From the studio
Follow the artist →
Studio, 6am
Glaze test
Crating day
Lisbon light
Brush repair
Install, Kó